Description
Natasha Kanapé Fontaine is an Innu writer, poet and interdisciplinary artist from Pessamit, on the Nitassinan (North Shore, Quebec). She lives in Tio'tia:ke, known as Montreal. Her critically acclaimed poetry and essays are widely taught and have been translated into several languages. In 2017, she received the Rights and Freedoms Award for her poetry and contribution to bringing people closer through art, writing, performance, dialogue, respect, and cultural exchange. In 2021, she received the Chevalier de l'Ordre des arts et des lettres de la République française. She also works as a translator, screenwriter, sensitivity reader, and consultant on Indigenous literature. Translated from the French by Howard Scott, a literary translator.
“What’s happening to you is just that the visible and the invisible are finding each other through you. You are the passageway for our reconnection. You and your generation are the ones who will give our memory back to us…”
Monica, a young woman studying art history in Montreal, has lost touch with her Innu roots. When an exhibition unexpectedly articulates a deep, intergenerational wound, she begins to search for a stronger connection to her Indigeneity. A quickly found friendship with Katherine, an Indigenous woman whose life is filled with culture and community, underscores for Monica the possibilities of turning from assimilation and toxic masculinity to something much deeper—and more universal than she expects.
Travelling across the continent, from Eastern Canada to Vancouver to Mexico City, Monica connects with other Indigenous artists and thinkers, learning about the power of traditional ways and the struggles of other Nations. Throughout these journeys, physical and creative, she is guided by visions of giant birds and ancestors, who draw her back home to Pessamit. Reckonings with family and floods await, but amidst strange tides, she reconnects to her language, Innu-aimun, and her people.
A timely and riveting story of reclamation, matriarchies, and the healing ability of traditional teachings, Nauetakuan, a Silence for a Noise underscores how reconnecting to lineage and community can transform Indigenous futures.
“What’s happening to you is just that the visible and the invisible are finding each other through you. You are the passageway for our reconnection. You and your generation are the ones who will give our memory back to us…”
Monica, a young woman studying art history in Montreal, has lost touch with her Innu roots. When an exhibition unexpectedly articulates a deep, intergenerational wound, she begins to search for a stronger connection to her Indigeneity. A quickly found friendship with Katherine, an Indigenous woman whose life is filled with culture and community, underscores for Monica the possibilities of turning from assimilation and toxic masculinity to something much deeper—and more universal than she expects.
Travelling across the continent, from Eastern Canada to Vancouver to Mexico City, Monica connects with other Indigenous artists and thinkers, learning about the power of traditional ways and the struggles of other Nations. Throughout these journeys, physical and creative, she is guided by visions of giant birds and ancestors, who draw her back home to Pessamit. Reckonings with family and floods await, but amidst strange tides, she reconnects to her language, Innu-aimun, and her people.
A timely and riveting story of reclamation, matriarchies, and the healing ability of traditional teachings, Nauetakuan, a Silence for a Noise underscores how reconnecting to lineage and community can transform Indigenous futures.