Description
By Adrian Stimson and edited by Tarah Hogue. Authors include Ernest Walker, Mary Lee, Erin Sutherland, Tess Allas and Joseph Pugliese.
Adrian Stimson is a member of the Siksika (Blackfoot) Nation in southern Alberta. Across installation, painting, photography, video, performance and public art, Stimson’s works re-signify colonial history using both humour and counter-memory.
Adrian Stimson: Maanipokaa’iini is published in association with the first-ever survey of the work of the Siksika Nation artist Adrian Stimson, on view at Remai Modern from April 2 to September 5, 2022. This book provides critical insight into the artist’s methodological approach across a diverse range of media. Tarah Hogue’s curatorial essay considers the grounding of Stimson’s practice in the energetic lifeworld of the Siksikaitsitapi from his early paintings to the new work created for the exhibition. Adrian Stimson and Dr. Ernie Walker’s dynamic conversation explores their shared affinity for bison at the intersection of art and science. Erin Sutherland’s essay traces Stimson’s methodology of “start with a tickle, give a slap, then finish with a hug” across multiple performances. Tess Allas and Joseph Pugliese’s text speaks to Stimson’s powerful visual and material testimony on the impacts of the residential school system. Designed by Sébastien Aubin and with a welcome from Wanuskewin Elder Mary Lee, the publication reflects Stimson’s commitment to the transformational capacities of Indigenous knowledge and artistic practice.
Adrian Stimson is a member of the Siksika (Blackfoot) Nation in southern Alberta. Across installation, painting, photography, video, performance and public art, Stimson’s works re-signify colonial history using both humour and counter-memory.
Adrian Stimson: Maanipokaa’iini is published in association with the first-ever survey of the work of the Siksika Nation artist Adrian Stimson, on view at Remai Modern from April 2 to September 5, 2022. This book provides critical insight into the artist’s methodological approach across a diverse range of media. Tarah Hogue’s curatorial essay considers the grounding of Stimson’s practice in the energetic lifeworld of the Siksikaitsitapi from his early paintings to the new work created for the exhibition. Adrian Stimson and Dr. Ernie Walker’s dynamic conversation explores their shared affinity for bison at the intersection of art and science. Erin Sutherland’s essay traces Stimson’s methodology of “start with a tickle, give a slap, then finish with a hug” across multiple performances. Tess Allas and Joseph Pugliese’s text speaks to Stimson’s powerful visual and material testimony on the impacts of the residential school system. Designed by Sébastien Aubin and with a welcome from Wanuskewin Elder Mary Lee, the publication reflects Stimson’s commitment to the transformational capacities of Indigenous knowledge and artistic practice.